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Hans Danuser (artist)
Hans Danuser (born in 1953 in Chur) is a Swiss artist and photographer.〔http://www.sikart.ch/KuenstlerInnen.aspx?id=4000221 Author: Ulrich Gerster, 1998, updated 2011.〕 His first mayor work, the cycle ''In Vivo'', brought him international fame, therein he broke several societal taboos with respect to genetic research and nuclear physics.〔 Since the 1990s, in addition to his photographic studies, Danuser has focused increasingly on transdisciplinary (research) projects in the arts and sciences.〔http://www.foto-ch.ch/?a=fotograph&id=20194&lang=de Author: Marc Herren, 20.08.2015.〕〔http://www.collegium.ethz.ch/ueber-uns/collegium-helveticum/personen/hans-danuser/〕
== Oeuvre ==
Hans Danusers work is regularly showcased in important solo and group exhibitions at home and abroad. He has been invited to contribute to international events such as the biennales in Venice and Lyon.〔 He is one of the first photographer to have taken the conceptually compelling step of presenting his large-format tableaux on the floor in a museum exhibition.〔Hartmut Böhme in conversation with Hans Danuser, Die Oberflächen sind niemals stabil. In: Die neue Sichtbarkeit des Todes. eds. Thomas Macho and Kristin Marek, Berlin, with image documentation on Hans Danuser's In Vivo, Frozen Embryo Series, Strangled Body, Erosion. Munich: Wilhelm Fink, 2008 p. 268.〕 In the 1980s Danuser embarked on his cycle ''In Vivo'', completing it in 1989.〔 Contemporaneously he produced architectural photographs in the project ''Partituren und Bilder''/''Scores and Pictures''. In 1990 Danuser won the competition for the large-scale design of the walls at the University of Zurich-Irchel, which led to the ''Institutsbilder'' (1992).〔〔 He later completed another important project in an architectural context, the ''Schiefertafel Beverin'' (2000–2001).〔Marco Baschera, Von der vorzeitlichen Präsenz eine Platzes. In: Präsenzerfahrung in Literatur und Kunst / Beiträge zu einem Schlüsselbegriff der ästhetischen und poetologischen Diskussion. With a picture insert on Hans Danuser – Schiefertafel Beverin. Munich: Wilhelm Fink 2008, pp. 75–100, esp. 84-85.〕 ''The Frozen Embryo Series'', made in 1990s, a follow-up of ''In Vivo'', also prefigured two ongoing works, ''The Erosion Project'' and ''Entscheidungsfindung – Decision taking''.〔Beat Stutzer. Hans Danuser’s Lettered images, in: Flurina Paravicini et al. (eds.), Hans Danuser – The Counting Out Rhymes Project über Entscheidungs Findung / Decision Taking. Lucerne: Periferia, 2008, p. 58-61.〕
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